Lost but not least! Stevie Wonder – Joy Inside My Tears (Tamla)
Taken from the 1976 released ‘Songs In The Key Of Life’. An album described by John Bush in allmusic.com as “Stevie Wonder’s longest, most ambitious collection of songs. A two-LP (plus accompanying EP) set that – just as the title promised – touched on nearly every issue under the sun…” A collection which includes memorable gems such as ‘I Wish’ and ‘Another Star’. But also ‘Pastime Paradise’ (which rapper Coolio sampled later on) and ‘Sir Duke’ among others. Not to mention ‘Isn’t She Lovely’ speaking of which and just like ‘Joy Inside My Tears’, no single release happened to be planned for some reason…
Was it because they both delt with inner feelings as opposed to social topics which had been for much on Wonder‘s growing reputation back then? I suppose our man has the answer. Nevertheless, this blend of vibes and atmospheres proved once more his ability to write, compose and arrange, regardless the nature of the subjects. Wonder would be surrounded by only Susaye Green (background vocals) and Greg Phillinganes (keyboards) on the heartfelt ‘Joy Inside My Tears’…
Quite a child prodigy, Stevie Wonder had mastered harmonica, keyboards and drums by the age of 10. He would sign to Motown the year after with the help of a neighbour – Johnnie Glover – whose cousin was Ronnie White of The Miracles.
1962 saw the release of ‘I Call It Pretty Music’ which marked his debut as Little Stevie Wonder, with a certain Marvin Gaye on drums. International recognition would come 4 years later though with ‘Uptight’ co-written with singer / songwriter and producer Sylvia Rose Moy. Another standout track from their collab being ‘My Cherie Amour’ from the 1969 album of the likes…
By 1971, Wonder signed a new deal with Motown allowing him to have more artistic freedom on his recordings. He soon after released ‘Where I’m coming From’ which established him on the rock scene. And also led him to be the opening act for The Rolling Stones tour with Bohannon and Ray Parker, Jr. among his back up musicians.
It’s most likely during this period that Wonder started to become fascinated by the Moog synthesizer. Something one could firmly feel on the memorable ‘Superstition’ or ‘Living For The City’ for instance. The albums ‘Talking Book’ (1972), ‘Innervisions’ (1973) and ‘Songs In The Key Of Life’ (his biggest success ever) standing as absolute manifestos.
Wonder opened the 80’s in the same vein with ‘Hotter Than July’. An album which contributed to add extra classics to an already impressive collection with tracks such as ‘All I Do’ or ‘I Ain’t Gonna Stand For It’. But also ‘Master Blaster’. Not to mention ‘Happy Birthday’, a campaign song for Dr Martin Luther King‘s birthday (Jan. 15) into an American national holiday.
Extra hits would follow on his double album, ‘Original Musiquarium’ in 1982. An album that saw him jamming along with Jazz trumpeter Dizzie Gillespie, on ‘Do I Do’. And during the following years with ‘I Just Called To Say I Love You’ and ‘Don’t Drive Drunk’ from the ‘Women In Red’ album. Not to mention ‘Part Time Lover’ (from ‘In Square Circle’ in 1985).
Other jams of his worth the listen including ‘Make Sure You’re Sure’ from the ‘Jungle Fever’ OST. Then ‘What The Fuss’ from ‘A Time 2 Love’, his last studio album released back in 2005.
As writer or producer, Wonder has been working with countless artists from Whitney Houston, to Dionne Warwick. But also Jermaine Jackson, Third World and Gary Byrd among others.
He’s also been duetting with Paul McCartney and Michael Jackson, and jamming also along with Chaka Khan and Eurythmics with his harmonica.