Classics: Tortured Soul – Fall In Love (live) (Central Park Recordings)
Tortured Soul saw the light at a period – the beginning of the 2000’s – which marked the return to live musicianship in the production. As a matter of fact, they would establish themselves as the premier live Dance act of their generation. Delivering ‘I Might Do Something Wrong’ which started everything for them. But also ‘How’s Your Life’ with remixing work courtesy of Alix Alvarez. Not to mention the memorable ‘Fall In Love’, co-produced with (and featuring) DJ Spinna.
As many gems which opened an impressive series of follow-ups along with time. From ‘Why’ to ‘In My Fantasy’, ‘Home To You’. And, more recently, ‘I’ll Be There For You’ and ‘Makin’ Me Better’.
Standing as one of their biggest classics ever, ‘Fall In Love’ remains simply timeless. Meanwhile, the threesome deliver another lesson of superior musicianship in their live interpretation of it. Only armed with drums, a bass and a keyboard. Therefore, the proper of true talents, don’t you think?
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Tortured Soul‘s origins date back to 2001. Back then, John-Cristian Urich was steering Cooly’s Hot Box, an Acid Jazz outfit which also featured Soul vocalist Angela Johnson. After putting Cooly’s Hot Box on hiatus, Urich composed ‘Might Do Something Wrong. NYC Deep House label Central Park Recordings picked it up, and Tortured Soul was born.
Thanks to the cool laidback mix courtesy of Osunlade, the song quickly became an underground staple at the iconic Club Shelter. It therefore helped jumpstart the development of a full-length disc generating more soulful house. With the 12-inch single in heavy rotation in the New York club circuit, Urich went into overtime to restructure the band’s line-up. The session players on ‘Might Do Something Wrong’ were bassist Jason “JKriv” Kriveloff and keyboardist Ethan White. With both of them being Urich‘s bandmates in the rhythm section of NYC Acid Jazz band Topaz. Together, the new trio forged a new cool sound by blending the freewheeling New York house and classic Disco beats with elements of Hip-Hop, Salsa and Roy Ayers-styled Jazz-fusion.
A major part of the band’s DNA, the Acid Jazz is reminiscent of Jamiroquai‘s Funk. But in the meantime, it’s deeply saturated in the contemporary freshness of House Music purveyors. As many people such as Kenny Dope, Joey Negro or DJ Spinna, to name but a few. Gilles Peterson eventually dubbing TS as “the future of House Music…”
From the very start, Urich secured himself as a power player. Composing the lion’s share of material. Delivering thick four-on-the-floor beats. And using a smart vocal showcase fusing a Maxwell-styled falsetto with Justin Timberlake-tinted lower register. But his bandmates were just as essential. With White‘s killer vibes on the Wurlitzer on onse side. And Kriveloff‘s booty-shaking bass on the other to complete the whole.
‘Might Do Something Wrong’ opened the path to an impressive list of follow-ups including Alix Alvarez‘s mix of ‘How’s Your Life’ and the romantic Dance-Pop of ‘Fall In Love’.
Each of the singles impressed the bevy of the world’s dance halls, allowing the band to tour heavily with appearances at clubs and festivals across the US. With 2006’s ‘Introducing Tortured Soul’, the band was able to piece together their first album. They used using all their earlier singles while also incorporating a few new studio additions. The follow-up album, 2009’s ‘Did You Miss Me’, pushed the vibe forward. Cuts such as ‘Home To You’, ‘In My Fantasy’ and ‘Your Dream Is My Dream’ were all given the 12″ and 7″ singles’ treatment.
Kriveloff departed the group to focus on his new record label back in 2010. He got replaced by Jordan Scanella. Then on Mar. 03, 2015, the news of Ethan White‘s passing at the age of 39 left us speechless. Isamu Mcgregor taking on where the latter left. TS soon after releasing their last album to date – ‘Hot For Your Love Tonite’ – led by the memorable ‘I’ll Be There For You’.
Before DJ’s evolved into global superstars, musicians carried the baton. Although Tortured Soul‘s intend has never been to rewrite the logic of today’s EDM, they are living proof that the very same music can be freed from the DJ booth.
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