Thursday, September 21, 2017

Berita – Mwana Wa Mai (Remix)

First Listen: Berita feat. Oliver Mtukudzi & Hugh Masekela – Mwana Wa Mai (Black Motion Remix) (Tammy Music)

Familiar with these shores? Chances are great then you may not have forgotten the memorable ‘We Are One’. An inspiring gem that saw Black Coffee sharing the duties with Hugh Masekela. Not to mention Culoe De Song in charge of the remixing work.
Well, here we go with another 100% African collaboration by the likes of ‘Mwana Wa Mai’. But this time in Swahili. With Berita takin’ the centerstage. This, along with Zimbabwean iconic artist Oliver ‘Tuku’ Mtukudzi. And also South African legend Hugh Masekela.

South Africa-based Zimbabwean artist Berita Khumalo has everything of a big name in the making. At least in her native continent. With already 2 albums on her account, despite being only 24.

From her second offering – ‘Songs Of Empowerment’ – which saw the light last December, ‘Mwana Wa Mai’ fully showcases her talent. Both as a singer, but also a guitarist. It most likely finds its inspiration in the story of a young girl begging in the streets of East London whom she met in early 2013. A narration which Berita originally turned into a vibrant downtempo folk song. With Black Motion bringing just what it takes on their rework to get it to the next level. Meanwhile remaining true to its absolute delicacy.

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Overview
Hugh Masekela is a world-renowned flugelhornist, trumpeter, bandleader, composer and singer. This, in addition to defiant political voice who remains deeply connected at home, while his international career sparkles.

Born in Kwa-Guqa Township, Witbank, Hugh Masekela began singing and playing piano as a child. Eventually learning trumpet by the age of 14. He received his first instrument of the likes the hands from Archbishop Trevor Huddleston. The anti-Apartheid chaplain at St. Peter’s Secondary School.
From the mid-50’s, he would fight against Apartheid. Using his music to reflect the agony, conflict, and exploitation his country was facing.

In 1960, at the age of 21, he left South Africa. Therefore beginning what would be 30 years in exile from the land of his birth. On arrival in New York, he enrolled at the Manhattan School of Music. And from then, he immersed himself in the local Jazz scene there. There, he developed his own unique style under the tutelage of Dizzy Gillespie and Louis Armstrong.

Hugh performed alongside countless luminaries. From Janis Joplin to Otis Redding and Ravi Shankar. Not to mention The Who and Jimi Hendrix in 1967. And the following year, his instrumental single – ‘Grazin’ In The Grass’ – went to #1 on the American pop charts. Eventually becoming a worldwide smash. Meanwhile elevating Hugh onto the international stage.

His subsequent solo career spans 5 decades now, during which he has released over 40 albums. He worked with such diverse artists as Harry Belafonte, Dizzy Gillespie and The Byrds. But also Fela Kuti, Marvin Gaye, Paul Simon, Stevie Wonder and Miriam Makeba.

By 1984, he eventually ventured into Jazz/Dance territories. Releasing the memorable ‘Don’t Go Lose It Baby’ as a part of his ‘Techno-Bush’ album on Jive Afrika. An album which received production work by the likes of Stewart Levine. A man with whom he’d put together the Zaire 74 music festival in Kinshasa 10 years before.

Hugh returned to South Africa in 1990. There, he was honoured with the highest order in 2010: The Order of Ikhamanga. After joining U2 on stage in 2011, Bono described playing with Hugh as one of the highlights of his career.

At the age of 75 + Masekela maintains a busy international tour schedule. And he still finds time to work with talents. The way he did back in 2009 with Black Coffee on ‘We Are One’. But also with Berita and Oliver Mtukudzi on ‘Mwana Wa Mai’ 4 years later. And, last but not least, with Ralf GUM in 2014 on ‘With Her Hand’ and ‘In The City’.

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