Most Wanted! Charme – Georgy Porgy (RCA)
‘Georgy Porgy’! I suppose most of you comin’ to these shores have heard this classic at least once. Unless havin’ spent the last 40 years in a desert island, huh?
Well, here we go, not with the original, but a cover version, even though it’s also worth the listen. The difference being that when Toto released it, they at least mentioned the name of their guest singer (Cheryl Lynn). Meanwhile Charme omitted to do the same. The official reason being that Luther Vandross wasn’t popular enough at the time…
Time would tell though with the latter establishing himself as the #1 R&B singer in the 80’s/90’s. This most likely explaining why Charme‘s version of ‘Georgy Porgy’ would get extra value on the second hand market after record chasers discovered who was singing the lead. Besides, let’s not forget the fact that the label released it as the flipside of ‘Do It For Love’. Which most definitely didn’t help neither…
– Whoever was Charme? A one off Disco assemblage which Israelian native California-based Misha Segal put together back in 1979. There’s not much we can say about him neither apart from the fact that he was a songwriter, composer and pianist. And that he notoriously wrote the ‘Phantom Of The Opera’ OST back in 1989.
Charme released their one and only album – ‘Let It In’ – in 1979. Featuring artists such as Damaris, Gwen Guthrie and Ullanda McCullough. I suppose it’s fair to say neither the album nor its singles (its title track and ‘Do It For Love’) managed to generate a great following back then. Meanwhile justice would somehow be paid 3 years later with the re-release of ‘Georgy Porgy’. This time as an A-side, although under the form of a remix. But then, still no mention of the presence of Luther Vandross. This being for much on its global overshadowing at the time…
A performer, but also a songwriter, he collaborated with countless artists and bands. From Quincy Jones to Roberta Flack & Donny Hathaway (‘Back Together Again’), Chic (‘Dance, Dance, Dance’), Chaka Khan or Diana Ross. But also Charme with whom he did a cover version of Toto‘s ‘Georgy Porgy’. Not to mention Jocelyn Brown Sharon Redd and David Bowie. And I’m not even talkin’ about his activities as producer along with bassist Marcus Miller and sound engineer Ray Bardani. The latter leading him to craft Cheryl Lynn‘s ‘Instant Love’ then Aretha Franklin‘s ‘Jump To It’ and ‘Get It Right’ albums in 1982 and 1983. This resulting in gems such as ‘Instant Love’ for Lynn. And ‘Jump To It’, ‘(It’s Just) Your Love’ and ‘Get It Right’ for Franklin.
Despite a couple of album releases as simply Luther, Vandross would get his breakthrough as the lead singer of various tracks on Change‘s ‘The Glow Of Love’ debut-album back in 1980. He refused contributing to its follow-up though because of a financial disagreement with its executive producer, Jacques Fred Petrus. Although he would sing backing vocals on The BB&Q Band‘s eponymous debut album from the same management team. From then on, he signed a solo record deal with Epic. Going straight to the position #1 in the charts with the title cut from his ‘Never Too Much’ debut-album the year after.
‘Never Too Much’ opened an impressive list of successes which established Vandross as the #1 R&B singer for two decades. The man varying the pleasures upon different moods. From ballads to R&B grooves and eventually hybrids such as ‘Give Me The Reason’ back in 1986. Not to mention his (unofficial) flirt with House vibes as Big L on ‘Heaven’. This with remixing work courtesy of Tommy Musto in 2002.
Among his masterpieces, ‘The Night I Fell In Love’, ‘My Sensitivity (Gets In The Way)’, ‘I Wanted Your Love’, ‘It’s Over Now’ and ‘Power Of Love’. Not to mention ‘The Rush’ which David Morales remixed it an outstanding way and ‘Always And Forever’ to name a few. Vandross also happened to share the duties back in 1992 with Janet Jackson, Bell, Biv, DeVoe and Ralph Tresvant. Delivering the boiling ‘The Best Things In Life Are Free’. A cut which got extra exposure as a part of the ‘Mo’ Money’ OST with production work courtesy of Jam & Lewis. Meanwhile, some of you might also remember his collaboration with Masters At Work on ‘Are You Using Me’ back in 1998. A track which, for some reason, only saw the light as a Promo 12″ on Virgin.
An unreleased cut of his – ‘Love It Love It’ – which he co-wrote with Hubert Eaves III eventually saw the light as a part of a posthumous Greatest Hits package by the end of 2014.
Luther Vandross has sold more than 35 million records worldwide and received 8 Grammy Awards.
He sadly died from diabetes and hypertension at the JFK Medical Center in Edison, NJ on Ju. 01, 2005, at the age of 54.