Wed. Dec. 12, 2018

Diephuis – Don’t Quit (Reelsoul Remix)

Single Of The Week: Diephuis & Eastar feat. Jocelyn Brown – Don’t Quit (Be A Believer) (Reelsoul Remix) (Quantize Recordings)

“Don’t quit, be a believer” pretty much illustrates what the protagonists of this gem are about. From Dutch DJ/producer Diephuis whose name starts speakin’ for itself. To Reelsoul who established an instantly identifiable signature sound. Not to mention Jocelyn Brown speakin’ of whom each vocal delivery is a blast!

We enthuzed about this uplifting gem which we welcomed as our Single Of The Week back in March 2016. And here we go now for an encore. This time as sublty reshaped by William Reelsoul Rodriquez who brings it his unique bouncing stellar approach.

Be a believer… Don’t quit!
Download from Traxsource.

Overview
– Rotterdam born DJ/producer Diephuis states Disco, Techno, Afro, Soul, Funk and Jazz as his major influences. His fascination for these kinds of moods started in the 90’s, inspired by DJ’s like Larry Levan, MAW and Joe Claussell. Then later on Osunlade, Henrik Schwarz, Dixon and Spinna.

Barend-Jan Beljaars (that’s his ID) started making music in 2008, on the hells of an already impressive C.V. as a DJ. He released his first EP – ‘Deeproots’ – Afrazoo the year after. His first major production – ‘Beautiful Life’ featuring Stephanie Cooke – followed two years after on King Street. It got soon after included on Hed Kandi’s ‘Beach House 2011’ compilation. Then, later on, Louie Vega took it for his compilation for King Street.
At the end of 2012, he remixed Peven Everett‘s ‘Black Boy’ for UDM Show Records. From then, Diephuis has been working with and/or for artists such as Ursula Rucker, Kenny Bobien, Marc Evans and Jephté Guillaume.

By the end of 2014, Diephuis released ‘Crossing Borders’ on Nulu Electronic. This project was remixed by Manoo and later on The Kings Of House (David Morales and Louie Vega) featuring Anané Vega.
In the Summer of 2015, it made it #9 Top Downloads on Traxsource and #1 Top 100 Afro House tracks on Traxsource. Black Coffee eventually included the Manoo remix in his mix for Mixmag August 2015.

More recently, he came to bless us along with Jocelyn Brown on ‘Don’t Quit (Be A Believer)’ which we welcomed as our Single Of The Week on both its original delivery and this remix package featuring Reelsoul.

– A Kingston, NC native, Jocelyn Brown grew up in a family of 7 brothers and 2 sisters whom she was the eldest. Her aunt, Barbara Roy, was the lead singer of Ecstasy, Passion And Pain. Her mom, two aunts, cousin and grandmother were all accomplished singers.

Singin’ acapella among the family quickly became a way of life. Jocelyn would develop her art upon moving to NYC at the age of 6 while singing further in the churches of Harlem. A few years on, and she ended up leavin’ the Gospel to become a session singer, working with countless luminaries. From Bruce Springsteen to Bette Middler and Bob Dylan. But also R&B/Disco acts such Musique, Chic and Change (‘Angel In My Pocket’). Not to mention Kleeer or Cerrone (‘You Are The One’) among others.

The first time I got to hear her brings me back to 1979. Back then, she was singin’ the lead for Patrick Adams‘ band Inner Life on ‘I’m Caught Up (In a One Night Love Affair’ (Prelude). An experience she would repeat two years after. This with a memorable interpretation of Ashford & Simpson‘s ‘Ain’t No Mountain High Enough’ (Salsoul). The year after seeing her teamin’ up with Salsoul Orchestra on ‘Take Some Time Out (For Love’). Then back with Inner Life on ‘Moment Of My Life’ and ‘I Like It Like That’.

Jocelyn Brown released her debut-album back in 1984. Its title cut – ‘Somebody Else’s Guy’ – standing as her most famous song as a solo artist. This with production work courtesy of Allen George & Fred McFarlane. She would eventually deliver its follow-up – ‘One From The Heart’ – 3 years after, collaborating with producer Hubert Eaves III (D-Train). An album which featured another goodie of her by the likes of ‘Ego Maniac’.

By 1985, Brown released ‘Love’s Gonna Get You’ along with producer John Jellybean Benitez. Eventually sounding like an answer to ‘Ain’t No Mountain High Enough’, it most likely inspired artists such as Snap! then Bizarre Inc.. The first sampling one particular line in the song by the likes of “I’ve got the power!” on ‘The Power’. And the latter borrowing another line – “Why waste your time, you know you’re gonna be mine” – on ‘I’m Gonna Get You’.
Meanwhile Polish producer Juliet Sikora would embed (uncredited) vocals of Jocelyn Brown on ‘Larrys Garage’ back in 2015. The latter comin’ from her live performance at the Larry Levan Street Party on King St. in New York, outside the original venue of The Paradise Garage, May 11, 2014.

Facing problems with the development of her own career, Brown would most likely spend her time singin’ for others from then. Teamin’ up back in 1989 with Spanish producer Raúl Orellana on ‘Gipsy Rhythm’. Then a year after with Incognito on a memorable cover version of Ronnie Laws‘Always There’.

And how couldn’t we remember her brilliant performances on the 1996 Nuyorican Soul album? From her one of a kind rendition of Rotary Connection‘s ‘I Am The Black God Of The Sun’. To the uplifting ‘It’s Alright, I Feel It’. Not to mention, more recently, the firing ‘You Are Everything’ from Louie Vega‘s 2015 ‘Starring XVIII’ album. This in addition to ‘Black Skin Blue Eyed Boys’ with Bollo. And ‘Don’t Quit (Be A Believer)’ with Diephuis which Reelsoul eventually remixed a few months later.

William Rodriquez III found his early influences in the wide rage of musical sounds and styles which his dad introduced him to. From Cerrone to Loose Ends. Not to mention the various tones of Hip-Hop and Dance Music that surrounded him.
An avid collector of 45’s by the age of 4, this experience continued to have an expression for Will‘s creative outlet. By the age of 10, he taught himself by ear to play the keyboard. His cousin bringin’ his attention to Deep House cuts from labels such as Strictly Rhythm and Nervous. And a year after, he eventually started spinnin’. Nurturin’ his craft musical arrangements across the board from Hip-Hop, Rare Groove & Underground House Parties.

By 1992, Will was making beats with two tape decks and a keyboard. This rich musical assortment continued to thrive on his passion for production. As he continued to advance himself in the art of making music so did his sound. His rich soulful debut, ‘Take Me To A Place’ found a home on Frankie Feliciano‘s Ricanstruction label.

He quickly followed with a string of releases for various labels, meanwhile establishing an instantly recognizable signature. Therefore turnin’ countless jams into essential cuts. From The Laybouts & Pete Simpson‘s ‘Thank You’ to Soul: ID‘s ‘Believe’. But also Marc Cotterell‘s ‘Into The Light’. Or Diephuis featuring Jocelyn Brown‘s ‘Don’t Quit’. Not to mention Sterling Ensemble featuring Lee Wilson‘s ‘Everybody’ to name a few. Then Deva Mahal‘s ‘Wicked’ that’s seen him sharing the duties with Quantize Recordings label head DJ Spen

As a matter of fact, it’s as if everybody wanted to have something of Reelsoul these days. Such as Dihann Moore with her revamp of ‘True To Yourself’ on Makin Moves…

No surprisingly, Reelsoul also crafted masterpieces under his own banner. Beginning with the memorable ‘For The Love Of You’ featuring Kyra back in 2010 on MN2S. And ‘Get Myself Together’ on his recently launched Reelsoul Musik label.

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