Single Of The Week: Juliet Sikora – Larrys Garage (Kittball)
Juliet Sikora seems to be living like one’s supposed to tweet in an appropriate way. In other words, she gets to the essential using a minimum of space. Something one could tell judging by her daily life. An existence which she shares between the running of the Kittball label along with Tube & Berger, her regular DJ sets where she puts the crowd upside down. And the way she obviously embraces music, the way she does on the firing ‘Larrys Garage’.
Comin’ up with a deep bass which she punctuates with an infectious funky rhythm line, Sikora brings us into a rough universe. Most likely reminding of those early House gems around a riff from a powerful female singer. Except this time we’re talkin’ about an uncredited rap by the likes of Jocelyn Brown. The latter, like no other, paying a tribute to the late Larry Levan and those good ol’daze at The Paradise Garage in front of a cheering crowd. And you know what? This is so freakin’ hot! This is… Larrys Garage!
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– A Kingston, NC native, Jocelyn Brown grew up in a family of 7 brothers and 2 sisters whom she was the eldest. Her aunt, Barbara Roy, was the lead singer of Ecstasy, Passion And Pain. Her mom, two aunts, cousin and grandmother were all accomplished singers.
Singin’ acapella among the family quickly became a way of life. Jocelyn would develop her art upon moving to NYC at the age of 6 while singing further in the churches of Harlem. A few years on, and she ended up leavin’ the Gospel to become a session singer, working with countless luminaries. From Bruce Springsteen to Bette Middler and Bob Dylan. But also R&B/Disco acts such Musique, Chic and Change (‘Angel In My Pocket’). Not to mention Kleeer or Cerrone (‘You Are The One’) among others.
The first time I got to hear her brings me back to 1979. Back then, she was singin’ the lead for Patrick Adams‘ band Inner Life on ‘I’m Caught Up (In a One Night Love Affair’ (Prelude). An experience she would repeat two years after. This with a memorable interpretation of Ashford & Simpson‘s ‘Ain’t No Mountain High Enough’ (Salsoul). The year after seeing her teamin’ up with Salsoul Orchestra on ‘Take Some Time Out (For Love’). Then back with Inner Life on ‘Moment Of My Life’ and ‘I Like It Like That’.
Jocelyn Brown released her debut-album back in 1984. Its title cut – ‘Somebody Else’s Guy’ – standing as her most famous song as a solo artist. This with production work courtesy of Allen George & Fred McFarlane. She would eventually deliver its follow-up – ‘One From The Heart’ – 3 years after, collaborating with producer Hubert Eaves III (D-Train). An album which featured another goodie of her by the likes of ‘Ego Maniac’.
By 1985, Brown released ‘Love’s Gonna Get You’ along with producer John Jellybean Benitez. Eventually sounding like an answer to ‘Ain’t No Mountain High Enough’, it most likely inspired artists such as Snap! then Bizarre Inc.. The first sampling one particular line in the song by the likes of “I’ve got the power!” on ‘The Power’. And the latter borrowing another line – “Why waste your time, you know you’re gonna be mine” – on ‘I’m Gonna Get You’.
Meanwhile Polish producer Juliet Sikora would embed (uncredited) vocals of Jocelyn Brown on ‘Larrys Garage’ back in 2015. The latter comin’ from her live performance at the Larry Levan Street Party on King St. in New York, outside the original venue of The Paradise Garage, May 11, 2014.
Facing problems with the development of her own career, Brown would most likely spend her time singin’ for others from then. Teamin’ up back in 1989 with Spanish producer Raúl Orellana on ‘Gipsy Rhythm’. Then a year after with Incognito on a memorable cover version of Ronnie Laws‘ ‘Always There’.
And how couldn’t we remember her brilliant performances on the 1996 Nuyorican Soul album? From her one of a kind rendition of Rotary Connection‘s ‘I Am The Black God Of The Sun’. To the uplifting ‘It’s Alright, I Feel It’. Not to mention, more recently, the firing ‘You Are Everything’ from Louie Vega‘s 2015 ‘Starring XVIII’ album. This in addition to ‘Black Skin Blue Eyed Boys’ with Bollo. And ‘Don’t Quit (Be A Believer)’ with Diephuis which Reelsoul eventually remixed a few months later.