Single Of The Week: LCO feat. Omar – History (John Morales M+M Rework) (Imagenes Recordings)
You might remember we welcomed LCO‘s ‘History’ as our Single Of The Week. Well, a few months have gone since. And it pretty much looks like we’re goin’ for an encore with this so to say reworked history. With vet DJ/producer John Morales givin’ it an irresistible Boogie feel. Meanwhile, more or less bringin’ us back to the souvenir Jamiroquai‘s Discoish experimentations such as ‘Little L’ or ‘Love Foolosphy’. All in all serving as the ideal environment for Omar‘s stand out vocal delivery. And, in the meantime, remaining true to the original spirit on its production.
One could think ‘History’ is repeating itself as a matter of fact. And it pretty much does at the end. Although in a different context which evolves along with time. In other words, nothing but the proper of… History. Don’t you think?
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– London-based Venezuelan producers Juan Laya and Jorge Montiel formed Los Charly’s Orchestra (LCO) by the early mid-2000’s. They most likely created the sensation while blending the Boogie Disco sound of the 70’s with a serious Latin live perspective. Somehow reminding of Nuyorican Soul to a certain extend.
Among LCO‘s regular members, one can find singers Andre Espeut and Elpidio Alegria. But also Brazilian bass players Matheus Nova and George Malamas. Not to mention Milt Mavrakakis (keyboards) Phil Stevenson (guitar) and Joe Thomas (piano). Meanwhile Tony Trobony and Paul Batik are responsible for the horns, along with John Desbrulais and Mike McKenzie on drums and Wilmer Sifontes on percussion.
Putting out their music on their own label (Imagenes Recordings), they released 2 albums to date. Building up their reputation on a bunch of timeless gems. From ‘Music For The Soul’ to their cover version of Johnny Colón‘s ‘Merecumbe’ and ‘Everlasting Love’. Not to mention ‘Sunshine’ and ‘Groove On’ although by the likes of LCO‘s heads Laya and Montiel. But also ‘All Around The World’. With the same applying to its remix courtesy of Opolopo. More recently teamin’ up with Omar to celebrate their 10th Birthday with ‘It’s So / History’ due for release on June 16, 2017. With the latter resurfacing in October that same year with remixing work by the likes of John Morales.
Meanwhile, the band has played in some of the key musical spots of the UK & the rest of the world such as Clore Ballroom (Royal Festival Hall), Lovebox Festival, Jazz Cafe, and Blue Marlin.
– A native of London, Omar Christopher Lye-Fook, MBE grew up in Canterbury, Kent. This in the middle of a family of artists in their respective owns. Beginning with his dad, Byron, who worked as a studio musician and drummer with various luminaries. From Bob Marley to Horace Andy and even The Rolling Stones.
Omar‘s younger brother, the Grammy winning producer, remixer and DJ professionally known as Scratch Professor has been making jaws drop since the age of 13. Brilliantly stunning the crowd at the 1988 DMC UK Finals with his turntable skills. Meanwhile, Samia (Omar’s sister) is a renowned vocalist in her own right, and a BRIT School alumna.
A musical prodigy, Omar learned his craft classically. Eventually playing the trumpet, piano, bass guitar and percussion. A former principal percussionist of the Kent Youth Orchestra and later a graduate of the Guildhall School Of Music, he released his first single – ‘Mr Postman’ – on his father’s Kongo label back in 1985. Welcoming Caron Wheeler as a backing vocalist. He then came to drop his debut-album featuring the (title) track that changed it all for him… ‘There’s Nothing Like This’! And eventually got us to meet for the very first time before Gilles Peterson signed him on Talkin’ Loud.
Strangely enough, his liaison with Talkin’ Loud happened to be quite brief. Thus seeing him releasing a follow up-album – ‘Music’ – in 1992. This before switching to RCA two years later with ‘For Pleasure’. An album that saw him collaborating with David Frank of The System fame. And also with the late Leon Ware, Vanessa Simon, Maxton Beesley and Ray Parker, Jr. among others. With the whole givin’ birth to gems such as ‘Keep Steppin”, ‘Saturday’ and ‘Outside’. Meanwhile, from his 1997 ‘This Is Not A Love Song’ one would most likely remember ‘Say Nothin” and its alternative version featuring US Rapper Ol’ Dirty Bastard.
Omar opened his Third Millennium account with the delivery of his best ‘Best By Far’ album on French label Naïve. This seeing him covering William DeVaughn‘s classic ‘Be Thankful For What You’ve Got’ (with its title shortened to ‘Be Thankful’), along with Erykah Badu.
Another six years on, then came his ‘Sing (If You Want It)’ album and the collaboration from extra luminaries. From Angie Stone to Common and Estelle (Swaray). This in addition to Stevie Wonder on the memorable ‘Feeling You’ which Ben Schwarz eventually remixed for Peppermint Jam. And the same extra period of time to see him collecting his MBE from Prince Charles at Buckingham Palace. Then make his debut the year after on Freestyle Records with ‘The Man’. An album which features a new version of ‘There’s Nothing Like This’ (featuring guitarist Pino Palladino). But also ‘Treat You’ along with long time friend Caron Wheeler and remixing work courtesy of Opolopo.
2014 saw the release of ‘Stop War, Make Love’. A friendly version of ‘Fµ** War, Make Love’ from his ‘The Man’ album which got us to welcome him for a chat on these shores. Then, 3 years after, came ‘Love In Beats’, his last album to date. An effort that saw him jammin’ along luminaries such as Leon Ware and The Floacist. Not to mention Robert Glasper, Ty or Natasha Watts.
With (only) 8 albums since his debut, some might think Omar has taken his time. But this would be forgetting his collaborations with countless of his contemporaries. As a featured artist, a backing vocalist or a songwriter. Writing ‘I Should’ve Known Better’ along with Mica Paris and co-producing it back in 1990. But also contributing to Misty Oldland‘s ‘Got Me A Feeling’ 3 years later.
Just like Robert Owens, as already said elsewhere on these shores, and although comin’ from different surroundings, Omar has brilliantly showcased his versatility along with time. Collaborating with Maddslinky back in 2010 on the bouncing ‘Special’, then with The Layabouts in 2012 on ‘As Long As You Believe’. But also with Dilouya on ‘Over The Sun’ that same year. A cut which resurfaced in October 2017 on Foliage Records with remix courtesy of Atjazz. And what about the boiling ‘Ding Ding’ along with Hallex M and DJ Fudge, also given a new life by the beginning of 2018 as remixed by DJ Beloved?
The end of the Summer of 2018 seein’ him sharing the vocal duties along with Darien Dean on the Hallex M produced ‘Straight Up!’. A cut most likely destined to feature in our 10 essential tracks of the year.
Omar also ventured into African territories along with Boddhi Satva on ‘Benefit’. And he also joined Ralf GUM on ‘Love Core’ and, more recently LCO (Los Charly’s Orchestra) on ‘History’ which received the remix treatment courtesy of John Morales.
– Bronx, NY-born John Morales has worked on creating hit records for the better part of 30 years. As a DJ, he played spots like Stardust Ballroom, the Limelight and the infamous Studio 54.
Like many of his alter egos in the 70’s, John ventured into the studio more through need than necessity. Being a DJ, he needed to get more out of the records he was spinning. There, he would produce medleys and do remixes because the records in those days were too short.
His now infamous Deadly Medleys and Sunshine Acetate Medleys brought him to attention of New York Disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer.
A meeting at New York’s influential WBLS radio station got him to croos the path of Sergio Munzibai who worked as musical director alongside Frankie Crocker.
The twosome turned themselves into the most prolific remixing unit from then. M&M Productions have dropped over 650 mixes. With Class Action, Jocelyn Brown, The Temptations, Aretha Franklin, and The Commodores standing among those they worked with.
In fact, Morales & Munzibai retouched just about every major artist of the day back then. With Morales keepin’ the vibe alive on his own nowadays. The way he did for instance on LCO‘s ‘History’.