Sunday, August 20, 2017

Logg – (You’ve Got) That Something (Salsoul Records)

Most Wanted! Logg – (You’ve Got) That Something Special (Salsoul Records)

Soon after leaving Black Ivory and before joining Aleem, Leroy Burgess made like a brief halt on Salsoul Records back in 1981. There he did a one shot – a self-titled album – under the Logg guise. One of the most sought after offerings on the label, it features ‘I Know You Will’ as mixed by Larry Levan, and the aforementioned.

This infectious slapped funk-bass driven midtempo has definitlely got that something. Co-produced by Greg Carmichael with Fred McFarlane on synths, and mixing work courtesy of John Morales,  it’s a timeless must have!

Overview
– A singer, songwriter, keyboardist, arranger and producer, Leroy Burgess stands as a key figure in the NYC Disco scene. He started as a backing singer for Black Ivory at the age of 17 and would write most of the band’s hits, beginning with the seminal ‘Mainline’.
Burgess is also remembered for his countless collaborations with Patrick Adams. Be it as a member of Inner Life (along with Jocelyn Brown), The Universal Robot Band or Bumblebee Unlimited.

As a solo artist (Logg), he scored a substantial amount of club hits such as ‘Heartbreaker’, ‘(You’ve) Got That Something’ and ‘I Know You Will’.

He joined Taharqa and Tunde Ra Aleem to form Aleem (later known as The Fantastic Aleems) in the mid-80’s. Together, they would drop gems such as ‘Get Loose, ‘Confusion’ and ‘Love’s On Fire’. They also produced the memorable ‘Over Like A Fat Rat’ for Fonda Rae.

– Bronx, NY-born John Morales has worked on creating hit records for the better part of 30 years. As a DJ, he played spots like Stardust Ballroom, the Limelight and the infamous Studio 54.
Like many of his alter egos in the 70’s, John ventured into the studio more through need than necessity. Being a DJ, he needed to get more out of the records he was spinning. There, he would produce medleys and do remixes because the records in those days were too short.
His now infamous Deadly Medleys and Sunshine Acetate Medleys brought him to attention of New York Disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer.

A meeting at New York’s influential WBLS radio station got him to cross the path of Sergio Munzibai who worked as musical director alongside Frankie Crocker.
The twosome turned themselves into the most prolific remixing unit from then. M&M Productions have dropped over 650 mixes with Class Action, Jocelyn Brown, The Temptations, Aretha Franklin, and The Commodores standing among those they worked with.
In fact, Morales & Munzibai retouched just about every major artist of the day back then.

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