Classics: Luther Vandross – The Rush (Morales 12″ Mix) (Epic)
I suppose I’ll have to say it once again. Creativity doesn’t give any damn about the usual ratings. It just expresses itself or not and eventually turns itself into artistry. Time keeps on goin’, never ending and I can’t keep myself being fed up by the narrow mindness around. With people not considering music because it’s this or that. Disco coz’ they’ve been said it sucks. Rap because they consider it for the bad boyz. House coz’ somebody told me it’s for the gays. All of this makin’ me wonder whenever will dis sh** go for an end. With the outstanding ‘The Rush’ most likely standing in the middle of this…
“Seems every time I try to rest my heart is when the rush is back again. Maybe this time I’ll make it work. Somehow guess I’m gonna find out now…”
One of the greatest (R&B) singers of all time, Luther Vandross dared exploring different paths. With his music eventually reachin’ different crowds. In 1991, he gave ‘Power Of Love’ to Frankie Knuckles who brought it the Def Mix Club sound. Then he left ‘The Rush’ c/o David Morales. With the latter getting his vocal performance into jazzy smooth House territories. Thus turning it into an absolute bliss. The way he did for instance on Loose Ends‘ ‘Love’s Got Me’.
Luther Vandross then David Morales… No need more to make ‘The Rush’ so special!
A performer, but also a songwriter, he collaborated with countless artists and bands. From Quincy Jones to Roberta Flack & Donny Hathaway (‘Back Together Again’), Chic (‘Dance, Dance, Dance’), Chaka Khan or Diana Ross. But also Charme with whom he did a cover version of Toto‘s ‘Georgy Porgy’. Not to mention Jocelyn Brown Sharon Redd and David Bowie. And I’m not even talkin’ about his activities as producer along with bassist Marcus Miller and sound engineer Ray Bardani. The latter leading him to craft Cheryl Lynn‘s ‘Instant Love’ then Aretha Franklin‘s ‘Jump To It’ and ‘Get It Right’ albums in 1982 and 1983. This resulting in gems such as ‘Instant Love’ for Lynn. And ‘Jump To It’, ‘(It’s Just) Your Love’ and ‘Get It Right’ for Franklin.
Despite a couple of album releases as simply Luther, Vandross would get his breakthrough as the lead singer of various tracks on Change‘s ‘The Glow Of Love’ debut-album back in 1980. He refused contributing to its follow-up though because of a financial disagreement with its executive producer, Jacques Fred Petrus. Although he would sing backing vocals on The BB&Q Band‘s eponymous debut album from the same management team. From then on, he signed a solo record deal with Epic. Going straight to the position #1 in the charts with the title cut from his ‘Never Too Much’ debut-album the year after.
‘Never Too Much’ opened an impressive list of successes which established Vandross as the #1 R&B singer for two decades. The man varying the pleasures upon different moods. From ballads to R&B grooves and eventually hybrids such as ‘Give Me The Reason‘ back in 1986. Not to mention his (unofficial) flirt with House vibes as Big L on ‘Heaven’. This with remixing work courtesy of Tommy Musto in 2002.
Among his masterpieces, ‘The Night I Fell In Love’, ‘My Sensitivity (Gets In The Way)’, ‘I Wanted Your Love’, ‘It’s Over Now’ and ‘Power Of Love’. Not to mention ‘The Rush’ which David Morales remixed in an outstanding way and ‘Always And Forever’ to name a few. Vandross also happened to share the duties back in 1992 with Janet Jackson, Bell, Biv, DeVoe and Ralph Tresvant. Delivering the boiling ‘The Best Things In Life Are Free’. A cut which got extra exposure as a part of the ‘Mo’ Money’ OST with production work courtesy of Jam & Lewis. Meanwhile, some of you might also remember his collaboration with Masters At Work on ‘Are You Using Me’ back in 1998. A track which, for some reason, only saw the light as a Promo 12″ on Virgin.
An unreleased cut of his – ‘Love It Love It’ – which he co-wrote with Hubert Eaves III eventually saw the light as a part of a posthumous Greatest Hits package by the end of 2014.
Luther Vandross has sold more than 35 million records worldwide and received 8 Grammy Awards.
He sadly died from diabetes and hypertension at the JFK Medical Center in Edison, NJ on Jul. 01, 2005, at the age of 54.
– A quick typing – ‘David Morales’ – in the search box of our site should give you a certain idea of his legacy. And, by that, of the consideration we have for him. Standing among the most prolific but first and foremost talented producers/remixers of his generation. With his name firmly associated to a signature – the Def Mix Sound – and an alter ego – Frankie Knuckles. Themselves synonyms with some of the most brilliant episodes in the maturation of the contemporary groove.
A native New Yorker of Puerto Rican ancestry, David Morales grew up during Dance Music’s most influential era. Thus, unsurprisingly frequenting its legendary clubs such as The Loft and The Paradise Garage.
As a result, it wasn’t long before he started his own nightclub – the Ozone Layer – in Brooklyn, by the beginning of the 80’s. His residency which lasted until 1986 eventually leading him to spin at The Paradise Garage in 1983. The 80’s seeing him DJing later at Newark, NJ’s famous The Zanzibar. With the latter standing as the craddle of the famous Jersey Sound also known as Garage. But also joining forces with Frankie Knuckles and For The Record DJ Pool founder Judy Weinstein under the Def Mix Productions banner to help manage remix requests and handle artist business affairs.
All in all, on his own or along with Frankie Knuckles, David Morales has remixed and produced over 500 releases. With the list of those he happened to rework the music of givin’ a better idea of the impact he generated. And this way above the strict spheres of House Music. Eventually bringin’ fragments of his universe on ‘Mine To Give’ by the likes of British Junglist Photek along with Robert Owens. But also working along Brit-Soul / Acid Jazz activists. From James Taylor Quartet feat. Noel McCoy‘s ‘I Love The Life’. To the Brand New Heavies‘ ‘Never Stop’, Loose Ends‘ ‘Love’s Got Me’ and Imagination‘s ‘Instinctual’. Not to mention Lisa Stansfield‘s ‘8.3.1.’. And how to not think of Alison Limerick‘s ‘Where Love Lives’ or Incognito‘s ‘Always There’ among others?!?
Of course, David Morales made some noise in the House scene. Responsible for seminal tracks such as ‘I’ll Be Your Friend’, ‘Finally’ and ‘My Piece Of Heaven’, respectively for Robert Owens, CeCe Peniston and Ten City. This in addition to Ce Ce Rogers‘ ‘All Join Hands’, Inner City‘s ‘Whatcha Gonna Do With My Lovin” and Richard Rogers‘ ‘Can’t Stop Loving You’. If not Doug Lazy‘s ‘H.O.U.S.E.’.
But, just like Frankie Knuckles, he also created serious bridges with R&B names. Beginning with Mariah Carey (‘Fly Away (Butterfly Reprise)’) with whom he established a long term working relationship. But also Luther Vandross (‘The Rush’) and Alexander O’Neal (‘What Is This Thing Called Love’). This in addition to Miles Jaye (‘Heaven’) and Whitney Houston (‘Love Will Save The Day’).
Meanwhile, under his own banner, Morales also made quite an impression. Beginning with his debut-album and single of the likes – ‘The Program’ – as David Morales & The Bad Yard Club back in 1993. But also ‘Needin’ U’ as The Face, five years later. And how to not remember ‘Golden Era’ along with Róisín Murphy? A cut which stood among the essential tracks of the year 2012… Or, more recently, ‘Lovin” as The Face feat. Kym Mazelle. And ‘There Must Be Love’ as fronted by Janice Robinson. This with remix courtesy of Nigel Lowis, which we welcomed as our Single Of The Week back then…