Classics: Nina Simone – My Way (Comme d’habitude) (RCA Victor)
Words are simply missing to capture the feeling which both this unique singer and her legacy left. With classics such as ‘Stompin’ At The Savoy’, ‘My Baby Just Cares For Me’, ‘See Line Woman’ or ‘Strange Fruit’ to name a few.
Nina Simone had an ear on almost everything. Eventually covering songs she would make her unique way such as Screamin’ Jay Hawkins‘s ‘I Put A Spell On You’. Or Jacques Brel‘s ‘Ne me quitte pas’, etc.. And she also delivered this incredible rendition of Claude François‘s classic ‘Comme d’habitude’ (from her 1971 ‘Here Comes The Sun’ album). This under the direction of Harold Wheeler. A classic which Frank Sinatra initially covered, bringing English lyrics and therefore having it re-titled ‘My Way’.
And comme d’habitude (literally “as usual” in English), she would turn the song to some unsuspected level…
So many things have been said about Nina Simone since the release of her first recordings by the end of the 50’s. And yet, feels like the story is still far from being over. As each song of her remains the subject of some new discovery from a listen to another.
Mind you, the lady has managed to turn everything she would sing into pure gold. Exploring the countless facets of (Black) Music. From Blues to Jazz, and Soul. And she has obviously inspired others reputedly miles away from her own spectrum. Just the way she would find some inspiration in the repertoire of artists hailing from other horizons. From Belgian singer Jacques Brel, bringing his 1959 classic ‘Ne me quitte pas’ to new horizons 6 years after, as a part of her ‘I Put A Spell On You’ album. To French Pop-Dsco star Claude François when delivering an incredible rendition of ‘My Way’. Itself adapted from his classic ‘Comme d’habitude’.
From then on, she would unsurpringly generate the same effect. Meanwhile takin on where Randy Newman left with her cover version of ‘Baltimore’. Eventually turnin’ it into a Reggae/Soul gem. And the list goes on with extra classics such as ‘Don’t Let Me Be Misunderstood’ or ‘I Put A Spell On You’.
Influenced by others, Nina Simone also became a source of inspiration for countless faces in the music industry. And this, way beyond her own scope, regardless its incredible width. With the remixes of her songs eventually leadin’ to way diferent results. Such as ‘Black Is The Colour’ which Abicah Soul reworked back in 2008. Meanwhile Danish producers Lulu Rouge would introduce their own rendition of it 2 years later at the Copenhaguen Jazz Festival. Then what about ‘See Line Woman’ which appeared on Ibadan Records, credited to The Songstress. This with remix by the likes of label head Jerome Sydenham and Kerri Chandler. Then its rework by Louie Vega and Kenny Dope 4 years after on Verve?
And how not to think of ‘Feelin’ Good’ and its syncopated remix by the likes of Todd Terry on one hand? And on the other, its smooth jazzy Quiet Storm feel, as retouched by Joe Claussell. These considerations being just a little snippet of Nina Simone‘s legacy. With her extensive bio to be found on Wikipedia.