Friday, October 20, 2017

The Salsoul Orchestra – Ooh I Love It (Love Break)

Most Wanted! The Salsoul Orchestra – Ooh I Love It (Love Break) (Salsoul Records)

A quick listen to MFSB‘s 1973 classic ‘Love Is The Message’ suffices to let us realize the existence of a family affair with ‘Ooh I Love It (Love Break)’. Besides how could it ever be different from a band whose members acted under the MFSB banner before disbanding on the heels of a disagreement with PIR label heads Kenny Gamble and Leon Huff over finances?!?

This said, the connection wasn’t that obvious when the track first appeared – initially titled ‘Chicago Bus Stop (Ooh I Love It)’ – as a part of the band’s eponymous debut-LP back in 1975. As a matter of fact we would have to wait another seven years to clearly see it. With its release as a 12″ single with remixing work courtesy of Shep Pettibone. Not their biggest commercial sucess, but certainly among their most famous gems, ‘Ooh I Love It (Love Break)’ engendered quite an impact. From Coldcut who used parts of it on their remix of Eric B & Rakim‘s ‘Paid In Full’ back in 1987. To L.A. Mix who did the same on ‘Don’t Stop’ that same year. Not to mention Shep Pettibone on his rework of the memorable ‘Vogue’ for Madonna 3 years later.

What’s the value of your vinyl record?

Overview
– A native of South Philaldelphia, PA, Vincent Montana, Jr. grew up in an Italo-American neighborhood. He first began playin’ drums as a child before venturing into other percussion instruments such as the marmimba and the glockenspiel. By the late 40’s, one would find him playing in clubs with Jazz luminaries such as Charlie Parker or Sarah Vaughan. Soon after, he went to perform in various hotels in Las Vegas, NV, accompanying artists such as Harry Belafonte and Louis Prima. Then he returned to Philadelphia by the late 50’s, eventually playin’ vibraphone on Frankie Avalon‘s 1959 smash hit ‘Venus’.

As a matter of fact, Vincent Montana, Jr.‘s contribution to the maturation of contemporary music has simply no equal. From setting up the legendary Sigma Sound Studio with Joseph Tarsia in Philadelphia, PA. Which is how he met Kenny Gamble and Leon Huff. To his position as a major actor in the establishment of the Philadelphia Sound. Meanwhile gathering people from all origins/ethnics. Be they Blacks, Jewishes, Italians or Rednecks. And by that, embodying beforehand what Indamixworldwide is about…

All in all, the list of artists he arranged music for stands as a who’s who of the groove. Jamming along with The Intruders for instance. But also The O’Jays, The Trammps, William De Vaughn and Lou Rawls. Not to mention The Stylistics and Teddy Pendergrass to name but a very few. This in addition to being one of the founding members of MFSB with whom he recorded an impressive series of classics. From ‘Love Is The Message’ to ‘TSOP (The Sound Of Philadelphia)’ to name a few.

Although promised to reach the upper heights, his partnership with Gamble & Huff brutally came to and end in 1974. And this, after financial issues. Hopefully, the wait didn’t last before Joe Bataan gave him the opportunity to jump on the next wagon. This while introducing him to the Cayre brothers. Three guys who were the owners of a NYC distributor of Latin Music whom he helped setting up Salsoul Records.

By that time, several members of MFSB had left for the same reasons. From John Davis who soon after formed John Davis & The Monster Orchestra to others who joined Ritchie Family. Not to mention Ronnie Baker, Bobby Eli, Norman Harris and Early Young who regularly joined Montana for recording sessions.

Montana put together The Salsoul Orchestra and soon after delivered the first release – ‘Salsoul Hustle’ for the label. An instant success, it opened the path to a string of 6 albums. Including classics such as ‘Getaway’ and ‘Ooh I Love It (Love Break)’ to name a few. But also collaborations with Carol Williams and Loleatta Holloway. This resulting in extra gems such as ‘Love Is You’ and ‘Run Away’.

By 1978, Montana left Salsoul Records and joined Atlantic. There, he put together Goody Goody along with his daughter, Denise, on vocals. Releasing one album – ‘Goody Goody’ – which spanned memorable cuts such as ‘#1 Deejay’ and ‘It Looks Like Love’.

Another 4 years on and Montana launched his own Philly Sound Works label. And then again, he would add a couple of goodies to his impressive collection. Beginning with ‘Who Needs Enemies (With A Friend Like You)’ and the infectious ‘Heavy Vibes’.

Last but not least, one might also remember him for his collaboration with Louie Vega and Kenny Dope back in 1996. The latter resulting in the release of their Nuyorican Soul album concept. A package which saw them comin’ up with a cover version of ‘Run Away’ with La India on vocals. And also span extra classics such as ‘I Am The Black Gold Of The Sun’, ‘It’s Alright, I Feel It’ and ‘Sweet Tears’ among others.

He sadly died at Cherry Hill, NJ, on Apr. 13, 2013, at the age of 85.

The Salsoul Orchestra saw the light back in 1974, gathering musicians who’d been members of MFSB. They included up to 50 members with an instrumental section in addition to various conductors and arrangers. The Salsoul Orchestra happened to play a major role for Salsoul Records, acting as their house band.
They released a total of 11 albums between 1975 and 1982. Delivering timeless gems such as ‘You’re Just The Right Size’, ‘Nice N’ Naasty’ and ‘Magic Birds Of Fire’. But also ‘Getaway’ and ‘Ooh I Love It (Love Break)’. Not to mention ‘Run Away’ along with Loleatta Holloway. And ‘Take Some Time Out (For Love)’ featuring Jocelyn Brown to name but a few.

I guess it’s fair to say they initiated nowadays’ Disco flavored electronic and House Music sound…

You might also like…
10 essential Salsoul Records gems…
10 essential Disco Jazz cuts…

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