Friday, September 22, 2017

The Salsoul Orchestra – Run Away

Classics: The Salsoul Orchestra – Run Away (Salsoul Records)

“Oh runaway, you better not hesitate. Better hurry don’t wait now. Runaway before you find it’s to late. Cause you know how love slow you down…” Here we have probably one of the most famous hooks in the history of Disco. If not way beyond… With Joe Gibbs & The Professionals givin’ it an extrapolation by the likes of ‘Bionic Encounter’ in 1979. And even more, Nuyorican Soul along with La India 27 years after…

As a matter of fact, ‘Run Away’ most likely stands among the monuments in the maturation of that typical NYC Sound melted with Latin fragrances. With in house Salsoul Records band, The Salsoul Orchestra backing Disco diva, Loleatta Holloway, under the direction of Philly Sound mogul Vincemt Montana, Jr.

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Overview
– A Chicago, IL native, Loleatta Holloway spent most of her life in the Windy City. She started singing in her teens along with her mom’s group, The Holloway Community Singers. She then joined famed Gospel group The Caravans in the mid-60’s. A couple of years later, she met her future producer, manager, and husband Floyd Smith. Together, they released ‘Rainbow ’71’, a Curtis Mayfield song which Gene Chandler had recorded back in 1963.

Holloway signed a recording contract with Atlanta-based Soul Music label Aware. There, she recorded recorded two albums – ‘Loleatta’ (1973) and ‘Cry To Me’ (1975) – both of them produced by Floyd Smith. The title track from the second album eventually rose to #10 Billboard R&B and #68 on the Hot 100. But before the label could really establish her, it went out of business.

After the Aware label folded, Loleatta switched to Norman Harris‘ Gold Mind label, a subsidiary of New York’s Salsoul Records. There, she delivered a string of Disco classics. From ‘Hit & Run’ produced by Norman Harris with mixing work courtesy of Walter Gibbons. To ‘Run Away’ along with the Salsoul Orchestra. Not to mention ‘Love Sensation’ produced by Dan Hartman with whom she also recorded ‘Relight My Fire’…

She jumped into House vibes back in 1987, releasing the Farley Jackmaster Funk produced ‘So Sweet’ on the then emerging DJ International Records label. Extra recognition coming soon after, after Italian studio project Black Box used her vocal part from ‘Love Sensation’ on ‘Ride On Time’. Holloway, however, didn’t get credited for this, but successfully sued the group, which led to an undisclosed court settlement in her favor. She eventually collaborated with another Italian act by the likes of Cappella with both of them dropping the classic ‘Take Me Away’ in 1992.

Loleata also recorded with producers such as Cevin Fisher, GTS and Fire Island. Eventually sharing the vocal duties with Jocelyn Brown on AgeHA‘s 2003 ‘A Better World’ on King Street.

The posthumous ‘Can’t Let You Go’ is her latest release to date. Written and produced by long time friend Yvonne Turner who happened to sing backing vocals on Loleata Holloway‘s 1992 ‘Strong Enough’ on Active Records.

Loleatta Holloway sadly passed from heart failure on Mar. 21, 2011, aged 64.

– A native of South Philaldelphia, PA, Vincent Montana, Jr. grew up in an Italo-American neighborhood. He first began playin’ drums as a child before venturing into other percussion instruments such as the marmimba and the glockenspiel. By the late 40’s, one would find him playing in clubs with Jazz luminaries such as Charlie Parker or Sarah Vaughan. Soon after, he went to perform in various hotels in Las Vegas, NV, accompanying artists such as Harry Belafonte and Louis Prima. Then he returned to Philadelphia by the late 50’s, eventually playin’ vibraphone on Frankie Avalon‘s 1959 smash hit ‘Venus’.

As a matter of fact, Vincent Montana, Jr.‘s contribution to the maturation of contemporary music has simply no equal. From setting up the legendary Sigma Sound Studio with Joseph Tarsia in Philadelphia, PA. Which is how he met Kenny Gamble and Leon Huff. To his position as a major actor in the establishment of the Philadelphia Sound. Meanwhile gathering people from all origins/ethnics. Be they Blacks, Jewishes, Italians or Rednecks. And by that, embodying beforehand what Indamixworldwide is about…

All in all, the list of artists he arranged music for stands as a who’s who of the groove. Jamming along with The Intruders for instance. But also The O’Jays, The Trammps, William De Vaughn and Lou Rawls. Not to mention The Stylistics and Teddy Pendergrass to name but a very few. This in addition to being one of the founding members of MFSB with whom he recorded an impressive series of classics. From ‘Love Is The Message’ to ‘TSOP (The Sound Of Philadelphia)’ to name a few.

Although promised to reach the upper heights, his partnership with Gamble & Huff brutally came to and end in 1974. And this, after financial issues. Hopefully, the wait didn’t last before Joe Bataan gave him the opportunity to jump on the next wagon. This while introducing him to the Cayre brothers. Three guys who were the owners of a NYC distributor of Latin Music whom he helped setting up Salsoul Records.

By that time, several members of MFSB had left for the same reasons. From John Davis who soon after formed John Davis & The Monster Orchestra to others who joined Ritchie Family. Not to mention Ronnie Baker, Bobby Eli, Norman Harris and Early Young who regularly joined Montana for recording sessions.

Montana put together The Salsoul Orchestra and soon after delivered the first release – ‘Salsoul Hustle’ for the label. An instant success, it opened the path to a string of 6 albums. Including classics such as ‘Getaway’ and ‘Ooh I Love It (Love Break)’ to name a few. But also collaborations with Carol Williams and Loleatta Holloway. This resulting in extra gems such as ‘Love Is You’ and ‘Run Away’.

By 1978, Montana left Salsoul Records and joined Atlantic. There, he put together Goody Goody along with his daughter, Denise, on vocals. Releasing one album – ‘Goody Goody’ – which spanned memorable cuts such as ‘#1 Deejay’ and ‘It Looks Like Love’.

Another 4 years on and Montana launched his own Philly Sound Works label. And then again, he would add a couple of goodies to his impressive collection. Beginning with ‘Who Needs Enemies (With A Friend Like You)’ and the infectious ‘Heavy Vibes’.

Last but not least, one might also remember him for his collaboration with Louie Vega and Kenny Dope back in 1996. The latter resulting in the release of their Nuyorican Soul album concept. A package which saw them comin’ up with a cover version of ‘Run Away’ with La India on vocals. And also span extra classics such as ‘I Am The Black Gold Of The Sun’, ‘It’s Alright, I Feel It’ and ‘Sweet Tears’ among others.

He sadly died at Cherry Hill, NJ, on Apr. 13, 2013, at the age of 85.

The Salsoul Orchestra saw the light back in 1974, gathering musicians who’d been members of MFSB. They included up to 50 members with an instrumental section in addition to various conductors and arrangers. The Salsoul Orchestra happened to play a major role for Salsoul Records, acting as their house band.
They released a total of 11 albums between 1975 and 1982. Delivering timeless gems such as ‘You’re Just The Right Size’, ‘Nice N’ Naasty’ and ‘Magic Birds Of Fire’. But also ‘Getaway’ and ‘Ooh I Love It (Love Break)’. Not to mention ‘Run Away’ along with Loleatta Holloway. And ‘Take Some Time Out (For Love)’ featuring Jocelyn Brown to name but a few.

I guess it’s fair to say they initiated nowadays’ Disco flavored electronic and House Music sound…

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10 essential Disco Jazz cuts…

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